656 The Expulsion 1967

Friedensreich Hundertwasser made this screenprint titled ‘656 The Expulsion’ in 1967, a period marked by significant social and political upheaval globally. The artwork's title is provocative, suggesting themes of displacement and forced removal. It may hint at broader social anxieties during the late 1960s. Hundertwasser's use of vibrant colors and organic forms creates a visually striking image, while the domes evoke architectural styles reminiscent of Eastern European or Russian Orthodox churches, hinting at cultural references and historical associations. Hundertwasser was Austrian, and his work often challenged conventional architectural norms, advocating for more organic and individualistic designs. His style fits within a broader counter-cultural movement questioning established institutions and promoting alternative visions of society. His style challenged the status quo and invited viewers to reconsider their relationship with the built environment. To fully appreciate this work, one must look into Hundertwasser's writings and manifestos. The social and institutional context in which the work was created is necessary for its understanding.