Frieze 1919 - 1920

Max Weber created this 'Frieze' with ink on paper. Immediately, one notices the stylized figures, reminiscent of ancient Greek or Roman friezes. Their abstract faces evoke a sense of mystery, hinting at deeper, perhaps subconscious, narratives. The composition, with figures arranged in a horizontal band, echoes classical reliefs, while the stark faces may remind one of the masks used in ancient rituals and theatrical performances. The presence of a tree and a prostrate figure bring to mind religious imagery. Consider the "sleeping Ariadne," for instance, as she appears in ancient sculpture. Here, the theme of a reclining figure suggests vulnerability, inviting contemplation on human existence. These symbols and motifs, passed down through history, evolve and adapt, reflecting humanity’s ongoing effort to understand itself and the world. The emotional power of such imagery engages us on a primal level, resonating with collective memories embedded deep within. It is a cyclical progression, constantly resurfacing, evolving, and taking on new meanings.