Satyrs Spying on Nymphs after 1627
cornelisvanpoelenburch
imaginative character sketch
fantasy art
character art
possibly oil pastel
underpainting
painting painterly
animal drawing portrait
watercolour illustration
surrealist
watercolor
Cornelis van Poelenburch's "Satyrs Spying on Nymphs" (after 1627) is a classic example of Dutch Golden Age landscape painting with a mythological twist. The painting depicts a scene from Ovid's *Metamorphoses*, where satyrs, hidden in the rocky foreground, watch a group of nymphs bathing in the open. The use of light and shadow creates a sense of depth and realism, characteristic of Poelenburch's style. The composition balances the bucolic landscape with the intriguing human interaction, creating a visual narrative that engages the viewer. This painting, now housed at the Rijksmuseum, is a testament to Poelenburch's mastery in combining natural beauty with mythological storytelling.
Comments
Startled by the sudden appearance of the satyrs at the left, the nude nymphs flee towards the old maidservant, who is minding their clothes, at the right. The bow and the quiver indicate that these nymphs are from the retinue of Diana, goddess of the hunt.
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