Branding Iron by Elizabeth Johnson

Branding Iron c. 1942

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Dimensions overall: 27.9 x 35.3 cm (11 x 13 7/8 in.) Original IAD Object: 34" long

Curator: At first glance, it feels… sterile. Like a technical drawing, drained of any romanticism we might project onto the West. But compellingly sterile, I must say. Editor: You’re right, there's a clinical coolness. What we're looking at is Elizabeth Johnson's "Branding Iron," created around 1942 using watercolor and ink. There’s the iron itself rendered in careful detail, next to a sort of ghostly echo of its impression. Curator: Yes, it's almost like a blueprint, divorced from the ranch and the cattle. It’s interesting because branding irons are about identity, about making a mark. But this drawing… it’s like an identity study without a subject, floating there in an ocean of negative space. Editor: I agree. It removes the romance, emphasizing instead the act of claiming—possession distilled into graphic form. What's also fascinating is that she chose to represent this in the context of the war era. Wartime invariably increases government control over citizens and commerce, doesn't it? Perhaps, this seemingly innocuous image actually touches upon fundamental anxieties about individuality being branded or swallowed up. Curator: Oh, absolutely. I find myself wondering about the choice of watercolor; its transparent layers suggest vulnerability, a kind of visual fragility, as if to imply these identities that are burned into livestock are more permeable than they appear. Makes one ponder all the brands and branding we live with, those almost invisible and ubiquitous means of asserting power! Editor: Exactly. By presenting this as a solitary object of study, Johnson invites us to analyze those layers, both in her art, and in society at large. Curator: And what does it say, that she even took the time and attention to meticulously immortalize something we might consider as purely functional and brutal. Editor: Food for thought, certainly! I suspect many visitors will leave questioning how such commonplace tools reveal much deeper narratives about control. Curator: Here’s to tools that do double-duty—branding iron and an artist's pen creating potent conversation indeed!

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