Pair of gloves with radiating cords on the back by Aris

Pair of gloves with radiating cords on the back c. 1900 - 1915

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photography

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portrait

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photography

Dimensions length 28.5 cm, width 11 cm

Curator: Here we have a photograph from around 1900 to 1915, titled “Pair of gloves with radiating cords on the back.” Editor: The gloves, they speak to a bygone era of elegance, even ritual. It is curious, how the photograph's light emphasizes the deep wrinkles of the leather, giving them such a weighty appearance. Almost as if hands were still inside. Curator: Leatherwork, particularly for such accessories, really soared at the turn of the century. There’s a dedication to craft apparent here; imagine the hours spent perfecting the cut, stitch, and fit, and the resources utilized. And not just any leather – something supple, durable, worthy of embellishment. Editor: Yes, and the cords – those radiating lines on the back. Notice how they almost mimic the tendons and sinews of the human hand? There’s an anthropomorphic quality; it transcends mere utility. These are symbols of gentility, of control, even power, considering who would have been able to afford fine leather goods then. Curator: Precisely. Ownership denotes a specific place in the social hierarchy. And consider the labor – both human and animal – involved. What does this photograph say about consumption and class structures in the Edwardian era? Each crease in the leather hints at lives intertwined. Editor: Perhaps even more deeply. Gloves shield us, after all. They obscure direct touch. In doing so, what kind of relationship to intimacy or contact do they create, both physically and emotionally? A symbolic barrier, but also perhaps an enhancement – a ritualized form of human interaction. Curator: Indeed. Through material culture we discern value, exchange, and social performance. To analyze an object such as this reveals historical production processes as well as cultural meaning. Editor: Examining it from an iconographic perspective shows the object becomes less about function, more about meaning. We can study these gloves not simply as artifacts, but as active participants in their time – still silently speaking today.

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