Heilige Josaphat als kluizenaar 1598

Curator: Johann Sadeler I created this engraving, “Heilige Josaphat als kluizenaar,” in 1598. We’re so fortunate to have it here at the Rijksmuseum. Editor: My first impression? Intense! Look at the almost gothic density of the forest. It feels as though it's closing in around the figure, like a psychological drama unfolding in black and white. Curator: Exactly. The light in this baroque landscape focuses our attention immediately on Josaphat, who is kneeling, seemingly in prayer. Note the lion… it's an odd touch. What do you make of its inclusion here? Editor: Well, lions often symbolize strength, royalty. But here, its presence in the wilderness, coupled with Josaphat's renunciation of his kingdom, complicates that narrative. Is it a test? A threat? A symbol of the wild he must now contend with? Curator: Perhaps it's a commentary on the perceived dangers of spiritual solitude? This dense forest mirroring the potential for inner turmoil… it's fascinating. It's also visually interesting that he's chosen this level of detail in an engraving of this era, too, I think. Editor: The detail is definitely striking. Every leaf, every strand of the lion's mane—it adds to that sense of a suffocating, overwhelming reality. But look closer at the figure in the back... a monk perhaps? Is that an attempt to ground this individual within a larger monastic community despite his chosen solitude? Curator: You're right! I'd missed that on first glance. So, while he may be a hermit, he's not entirely disconnected. That adds a layer of complexity to the idea of renouncing earthly possessions, because in a way he can't be alone, truly. Editor: Absolutely. This isn’t simply an image about pious devotion in isolation. This piece seems to ask a very profound question, not just of Josaphat but perhaps to all of us—is true freedom from worldly concerns really possible? Curator: An enduring question that, as this piece shows, has echoed through the centuries. Editor: And hopefully continues to resonate today. Thanks for your thoughts on this piece, curator!