Table Clock Cases, in Chippendale Drawings, Vol. I 1754
drawing, print
drawing
baroque
form
line
decorative-art
Dimensions sheet: 8 x 7 3/16 in. (20.4 x 18.3 cm)
Curator: Let's turn our attention to this page from Thomas Chippendale's *The Gentleman and Cabinet Maker's Director*, published in 1754. It presents designs for "Table Clock Cases." Editor: My first thought? A clock isn't just a timepiece here; it's aspiring to be a miniature palace, a sacred reliquary! Curator: Indeed! You can see Chippendale experimenting with both the Baroque and early Rococo styles, each design vying for attention. One features a crest that resembles an ornate window frame, the other overflowing with foliate carving. Editor: The detail is impressive, considering this would have been translated into wood, likely carved by skilled laborers working under pressure. It’s interesting to consider the social context – Chippendale designing for wealthy patrons who would, in turn, employ teams of craftsmen. Were they celebrated like Chippendale was? Curator: I suppose, to some degree? I can see a deep humanity, an effort, however mediated, to ennoble everyday life, in these designs. Perhaps, I imagine that in designing it Chippendale felt the object transcending its purely utilitarian role. It’s like imbuing the very concept of time with grace, don't you think? A small monument. Editor: I am also thinking about how this design spreads—its effect is leveraged from one page through to many pieces of furniture, from the design table to the workshop, to client commissions... there's an implicit nod to manufacturing processes. This single drawing could drive work for so many hands! Curator: Right, so you’re drawing attention to the design's journey and how that transforms it beyond pure artistry into something… collective. Still, the initial artistic gesture remains vital. I love how these aren't mere blueprints, but explorations, invitations, and statements all at once. Editor: Well, it makes you think about value—of designs, skills, time—and where those get distributed, visually and economically. Curator: So true, in examining art such as this design we may explore a larger social history embedded into a piece. This reflection makes it worth our time!
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.