En udsigt ved Liselund på Møen by Søren L. Lange

En udsigt ved Liselund på Møen 1805

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drawing, print, etching, plein-air, ink

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drawing

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print

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etching

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plein-air

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landscape

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etching

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ink

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romanticism

Dimensions 328 mm (height) x 262 mm (width) (bladmaal), 285 mm (height) x 237 mm (width) (plademaal), 240 mm (height) x 206 mm (width) (billedmaal)

Curator: This etching, "En udsigt ved Liselund på Møen," which translates to "A View at Liselund on Møn," was created by S. L. Lange the Younger around 1805. What strikes you immediately? Editor: Serenity, I suppose. It’s gentle. Like a daydream of an afternoon picnic interrupted only by the rush of that waterfall. And those cliffs are unreal – like enormous, petrified dunes! Curator: The Liselund estate was, and still is, on the island of Møn, known for its dramatic chalk cliffs. This work really encapsulates the Romantic fascination with the sublime in nature. But the funny thing is that in person, those cliffs are a dazzling white! Here, Lange's given them a muted palette. Editor: Maybe the light was different that day? Or perhaps he wanted to soften the reality, temper the harshness? Did this location have cultural importance at the time? Curator: Absolutely. Liselund was designed as a kind of "ideal landscape," a pleasure garden. It became a popular spot for artists and writers seeking inspiration. It represents this constructed idyll. I think Lange aimed to capture the sense of cultivated beauty. Editor: It does feel very deliberately composed. Not wild, but... curated, even. Look how he positions those figures in the foreground, dwarfed by the scale of everything else. Gives you a feeling of how humans seek out those sublime, dramatic spaces. I like the intimacy of the picnic too, but also those lonely roots on the edges of the top of that plateau—it humanizes the painting in an unexpected way! Curator: His use of etching certainly contributes to that overall effect. The fine lines lend themselves well to detailed rendering of foliage, for example. What appears very peaceful required tremendous labour! Editor: Yes! Etching gives a particular texture to everything. Almost tactile. So, despite the grandeur of the landscape, there's this invitation to approach it in a thoughtful, almost studious way. It’s not about the view, but the act of viewing and interpreting it. Thank you for the little trip! It has been amazing. Curator: Agreed. An afternoon well spent pondering the delicate balance between nature and human intention.

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