Allegory of the Effects of Wine c. 1551s - 1561s
matthiaszundt
minneapolisinstituteofart
print, etching
germany
pen drawing
pen illustration
pen sketch
etching
junji ito style
pen-ink sketch
pen work
tattoo art
pencil art
doodle art
intricate and detailed
"Allegory of the Effects of Wine," a woodcut print created by Matthias Zündt in the 16th century, depicts the stages of intoxication through a series of six vignettes. These vignettes are framed by ornate, intertwined foliage motifs, adding to the image's intricate composition. The central scene shows the violent consequence of excessive drinking with figures battling, symbolizing the loss of control that often accompanies drunkenness. Other scenes depict the stages of inebriation from the initial merriment to the final consequence of death, highlighting the dangers associated with excessive alcohol consumption. This work is an example of the moralizing art of the 16th century, aiming to educate viewers on the consequences of indulgence.
Comments
German ornament design grew more crowded after 1550, a trend attributed to Matthias Zündt. His book Kraterographie (1551) introduced goldsmith patterns so dense that few could be executed literally. This etching shows a similar tendency. Amid foliage and animals Zündt inserted scenes on the effects of wine--good and bad. At right are Christ at the Wedding at Cana, where he turned water into wine, and the Samaritan using wine to help cleanse a victim's wound. At left are Ham revealing the drunkenness of his father, Noah, and Lot being seduced by his devious daughters. In the middle scene, drink leads a peasant gathering into anarchy.
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