Portrait of the Danish King Christian II 1514 - 1515
michielsittow
portrait reference
portrait head and shoulder
animal portrait
wood
animal drawing portrait
portrait drawing
facial portrait
portrait art
fine art portrait
celebrity portrait
digital portrait
Michiel Sittow's "Portrait of the Danish King Christian II" from 1514-1515 is an oil painting on panel. The piece is notable for its realistic portrayal of the King, emphasizing his stern expression and detailed features. The use of a dark background and rich colors further accentuates the regal figure. Displayed at SMK - Statens Museum for Kunst in Denmark, this artwork is a significant example of 16th century portraiture.
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What did Christian II look like? Many portraits of him have survived, and they are very different from each other. It can be difficult to accept that the model is allegedly the same person in all the paintings. The only recurring feature is the beard. The Renaissance saw a growing interest in human beings as individuals and in their worldly, material aspects. Artists began to see each individual person, reproducing what they saw by means of illusionistic effects. Today, we think that the portraits begin to look like their models. But who do they actually look like? Michael Sittow was an excellent portrait painter. He painted Christian II in a way that convinces us that the king looked exactly like this. Thus, Sittow lived up to his era's ideals stipulating that a portrait must seem compellingly real. Yet, the real task was to satisfy the commissioner's desire to convey a specific message. Here, Christian II wished to com municate that Denmark had a handsome, strong willed king.
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The first works of art acquired by the Danish kings were presumably royal portraits. For example, Michel Sittow’s portrait of Christian II undoubtedly belonged to the king himself. This is the first artist of international significance to be featured in the collection. Sittow, who is presumed to have been a student of Hans Memling in Brügge, worked for the leading noble houses of Europe. The portrait reflects a king whose close family ties to the imperial Habsburg court drew in into the centre of European art and culture. On his subsequent travels and exile the king came into direct contact with the cultural centres of Europe. The heritage of Christian II also includes a set of prints by Dürer, who gave the King these prints as a gift in 1521. The prints formed the basis for The Royal Collection of Graphic Arts, which was founded in 1831.