Zittend mannelijk naakt, naar rechts 1664 - 1730

This is a pencil drawing of a seated male nude, made by Jan Hoogsaat in the 18th century. The figure's most striking feature is his pointing gesture. The extended arm and index finger echo classical traditions, reminiscent of Plato or Aristotle in ancient depictions. We see this motif repeated throughout art history, often signifying instruction, guidance, or accusation. Consider Da Vinci’s John the Baptist, where the gesture takes on a spiritual dimension, directing our gaze heavenward. Yet, here, Hoogsaat's figure complicates this inherited symbolism. His furrowed brow and downward glance infuse the gesture with a sense of unease. What is he pointing at? Is it a warning, or perhaps an indictment? This ambiguity stirs something primal within us, tapping into a collective memory of judgment and moral reckoning. It is a potent symbol of humanity's ongoing struggle with morality and direction.