Interior with mirrored wall 1991

Roy Lichtenstein made this large-scale painting of an interior with a mirrored wall at some point in the late twentieth century. The colors are pure and primary, like a comic book, and the Ben-Day dots are as precise as machine printing. It's like he's handing us a ready-made world, but then he throws a curveball. Look closely at the mirror: it's reflecting another sofa, another world, but it's also full of these weird, dark lines. Are they reflections of something real, or just a formal device? And what about those framed paintings on the wall? They're like little abstract jokes, playing with the idea of high art versus low art. Lichtenstein was always interested in pushing boundaries and questioning our perceptions. Think about his earlier Pop paintings and his late pastiches of surrealism – it's all part of the same conversation, this back-and-forth between abstraction and representation, between the real and the artificial. There's no right answer, just a playful invitation to look again.