Pa. German Plate by Max Soltmann

Pa. German Plate c. 1937

0:00
0:00

drawing, coloured-pencil, earthenware

# 

drawing

# 

coloured-pencil

# 

earthenware

# 

coloured pencil

# 

folk-art

# 

earthenware

# 

watercolor

Dimensions overall: 43.3 x 38.2 cm (17 1/16 x 15 1/16 in.)

Editor: Here we have a Pa. German Plate, crafted around 1937, materials listed as earthenware and drawing media such as colored pencil. It's quite charming! It looks like folk art, with this central motif of a bird. I am curious about what stands out to you when you examine its formal aspects? Curator: Thank you for pointing out this lovely example. I am immediately struck by its careful composition, isn’t it? Note the bird, centrally placed. Its outstretched wings and tail create a near-perfect circular design mirrored by the edge of the plate. The earthy colors, predominantly greens and browns, give the plate an almost tactile quality. How does the drawing style strike you? Editor: I would agree. The balance seems very deliberate! What about the drawing style; is there anything in particular that informs you? Curator: Yes, precisely. Look at the execution. The artist, Soltmann, outlines the image meticulously, even heavy-handedly; the form, a stylized bird, isn't presented in depth or relief, but the lines contribute rhythm through carefully considered application. Do you notice other structural or decorative techniques at play here? Editor: Well, you can tell it is a relatively thin piece of earthenware. While the application of the colored pencil and paint is even across its surface, some of the design choices of its wings have rough spots, while others like its chest are neatly filled in. The border along the plate seems quite thick; however, that contrast makes me believe the piece would feel at home in both a household and art exhibition. Curator: Yes, that deliberate balancing act speaks volumes. The piece employs both an illustrative quality mixed with pure formalism in creating visual stability. I will consider that Soltmann perhaps seeks harmony more than functionality through his piece. Editor: Fascinating, I see that tension now. I had considered the folksy aesthetic at face value, but the construction itself becomes the primary message. Thank you! Curator: An enriching point, it is often a combination of structure and composition that unlocks deeper meanings. I learned quite a bit here, thank you.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.