(Covered Cosmetic Box with Carved Decor) c. 12th century

Editor: So, this is a covered cosmetic box with carved décor, made around the 12th century. It’s ceramic, and housed at the Minneapolis Institute of Art. I’m struck by the intricate detail; it seems so delicate and almost fragile. What are your first impressions? Curator: The object itself provides us entry into considering class and gender. Cosmetic boxes in 12th century Korea speak to me of highly stratified societies and expectations of feminine identity. I’m curious, what do you make of the colour? Editor: Well, it seems almost celadon, that pale green shade... Is it intentional, a reference to jade perhaps? Curator: Precisely! Celadon glazes, revered for their resemblance to jade, were highly prized. Now consider who this was made *for.* Celadon ware, especially something as intricately decorated as this, signalled luxury. The women using this box may well have had some social status, some control over their presentation to the world. Editor: So, this wasn't just a practical item; it's a symbol of identity and social standing? It feels almost subversive, that such care and artistry were lavished on something so intimate. Curator: Exactly! Objects like these embody a silent dialogue about beauty standards, social mobility and perhaps even resistance against those expectations, offering glimpses into women’s daily lives in ways that written historical records often omit. The fact that such an object *survives* speaks to care, to the recognition of worth and preservation through the generations. Editor: I never thought of it that way. I was only thinking of the craft. Curator: Always ask *cui bono*; "who benefits?" Look for silent agendas. Art whispers its secrets if you lend an ear. Editor: I will. Thank you, that's really opened my eyes.