Dress c. 1936

Virginia Berge made this watercolor and graphite drawing of a dress, sometime in the 20th century. Berge's mark-making feels thoughtful, almost tentative, like she’s coaxing the image into existence. The colors are muted, subtle, a restrained palette that speaks to a quiet kind of elegance. What strikes me is the texture of the dress itself. The watercolor is applied in such a way that you can almost feel the soft drape of the fabric. Look at the way the color pools and blends, creating shadows and highlights that give the dress a sense of volume and depth. Notice the folds of the skirt, how they curve and flow. It’s as if she’s captured the essence of movement, a silent dance frozen in time. It reminds me a little of the work of Giorgio Morandi, in its quiet, contemplative nature. But where Morandi focused on still lifes, Berge turned her attention to the everyday beauty of a dress. It’s a reminder that art can be found in the most unexpected places.