Dimensions: height 167 mm, width 230 mm
Copyright: Rijks Museum: Open Domain
This engraving by Magdalena van de Passe captures the poignant moment when Apollo pursues Daphne. Daphne's raised arms are a symbolic gesture of desperation, as she pleads to the gods for escape from Apollo's unwanted advances. In response to her prayers, her fingers sprout leaves, signaling her transformation into a laurel tree. This metamorphosis motif echoes through time, appearing in various guises across cultures. We see it in ancient myths, where humans transform into animals, plants, or celestial bodies, reflecting humanity's deep-seated fascination with change, identity, and the boundaries between life forms. Consider Ovid’s "Metamorphoses," where such transformations serve as both punishment and salvation, revealing the precariousness of human existence. The psychological weight of this scene is palpable. Daphne's transformation taps into our collective anxieties about loss of control, the desire for escape, and the dissolution of the self. The laurel, sacred to Apollo, becomes a symbol of both triumph and eternal longing, a non-linear progression of meaning that continues to resonate today.
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