Buste van een onbekende vrouw 1758 - 1808

This miniature print was made by Christina Chalon in the late 18th century, using etching. The etching process involves coating a metal plate with a waxy, acid-resistant substance called a ground. The artist then draws through this ground with a pointed needle-like tool, exposing the metal. When the plate is immersed in acid, the exposed lines are ‘bitten’ or etched into the metal. This gives the print its characteristic fine, linear quality, with subtle variations in tone achieved by controlling the depth and density of the etched lines. Here, the plate has been worked with incredible detail, capturing the textures of the sitter’s face and clothing, and conveying a sense of her character and social standing. The cross-hatched lines create the background of the circle, lending depth and volume to the image. Looking closely, it becomes clear that Chalon was a skilled draftsperson with a keen eye for detail, and her print shows the immense amount of work involved in the intaglio printmaking process. Appreciating the artistry and labor inherent in its making, we can begin to question traditional distinctions between fine art and craft.