120 Degrees - Tigris 

This is Charles William Cain’s drypoint etching, “120 Degrees - Tigris,” made with a sharp needle to directly inscribe an image onto a metal plate. The drypoint technique, embraced by printmakers, allowed for subtle tonal variations through the depth of the lines and the burr created during inscription. These lines create the composition's muted tones and textures. The way the needle scratches the plate produces a velvety effect when printed, especially noticeable in the darker areas along the riverbank, where figures and animals gather. The choice of drypoint, relative to other forms of printmaking, is significant. Unlike the more industrialized methods of mass production, drypoint retains an intimate, handcrafted quality. Each print pulled from the plate bears unique characteristics, reflecting the direct touch of the artist. This work invites us to appreciate the artistry inherent in the making process, bridging the gap between fine art and craft.