Sabina, wife of Hadrian, as Concordia; Adorante c. 19th century

Editor: This print by Gaetano Bonatti depicts Sabina, wife of Hadrian, as Concordia, alongside another figure called Adorante. The classical drapery is so elegant. What do these figures and their gestures tell us? Curator: The imagery of Sabina with a cornucopia speaks to the Roman ideal of abundance and harmony, but also to the empress as a maternal figure. Think of how these symbols reinforced imperial power. What emotional resonance do you see in these carefully constructed representations? Editor: So, the visual language creates a connection between the ruler and the well-being of the empire. It's a powerful use of symbols! Curator: Exactly. These images evoke stability and prosperity by linking the empress to ideals of abundance, influencing cultural memory long after her reign. Editor: That's fascinating—I'll definitely look at classical art with new eyes now.