The actor Ichikawa Danjuro VI as Sukeroku in the play "Omiura Date no Nebiki," performed at the Nakamura Theater in the third month, 1799 by Utagawa Toyokuni I

The actor Ichikawa Danjuro VI as Sukeroku in the play "Omiura Date no Nebiki," performed at the Nakamura Theater in the third month, 1799 c. 1799

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print

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portrait

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print

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caricature

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asian-art

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caricature

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ukiyo-e

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figuration

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historical fashion

Dimensions 37.3 × 25 cm (14 11/16 × 9 13/16 in.)

Editor: This vibrant woodblock print from around 1799 by Utagawa Toyokuni I depicts the actor Ichikawa Danjuro VI. The striking figure against the pale background really makes him pop. What can you tell me about it? Curator: Absolutely. This work, a classic example of Ukiyo-e portraiture, isn’t simply a snapshot of an actor, it is a commentary on celebrity culture, and theatrical representation during the Edo period. Consider the bold lines and exaggerated features. How do these stylistic choices intersect with our understanding of celebrity image production today? Editor: It's like early advertising. Exaggerated, to sell the character! Curator: Precisely. But consider also how the representation of actors, often associated with the floating world – a space outside traditional social hierarchies – offered possibilities for challenging norms around class and gender. Can we consider the "floating world" of Edo Japan and celebrity image today? Editor: Definitely! Now celebrity culture seems so fixed but looking back it’s amazing to see that even then, it had a revolutionary side. Curator: Exactly! Think about how the actor's portrayal could reflect and even shape societal ideals. Also, consider the relationship between the image and its context. Who was buying these prints? What did they signify in the context of the broader social and political landscape? Editor: I hadn’t thought of that - almost like social media today and how it reflects society, right? I guess these prints weren't just decoration; they were actually part of something much bigger than just aesthetics. Curator: Precisely. Engaging with this image offers an opportunity to reflect on how cultural representation and individual identity are shaped and negotiated through the ages. It is also a lesson in using the past to understand our contemporary landscape. Editor: I’ll definitely keep all of this in mind as I keep studying art history.

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