Dimensions: support: 276 x 321 mm
Copyright: © Estate of Stanley Spencer | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Look at this graphite drawing. It’s a study for ‘Apple Gatherers’ by Sir Stanley Spencer. Editor: It feels monumental, even though it’s just a sketch, like some kind of frieze. Curator: Spencer often elevated ordinary scenes to the epic. Notice the grid; he was meticulously planning the composition. Editor: Right, these figures carrying overflowing baskets—burdened yet stoic, almost biblical. Curator: Apple-picking wasn't just labor for Spencer; it was about community, fertility, abundance, and perhaps a reference to the fall of humankind. Editor: I'm seeing how Spencer weaves together social commentary and religious allegory, but avoids glorifying labor. Curator: It's a study in contrasts: the weight of the baskets, the lightness of the touch, the earthly task, the spiritual resonance. Editor: It's fascinating how much a simple study can reveal about the artist's process and vision. I'll never look at apples the same way.
http://www.tate.org.uk/art/artworks/spencer-study-for-apple-gatherers-n06233
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This drawing was made at the Slade School of Art, on a subject Stanley Spencer had been set by one of his teachers. He interpreted it broadly, and later wrote 'I have in it wished to say what life was'. An idealised family, including a huge number of children, gather food from nature. The linking of hands joins the separate groups of males and females; this separation and uniting is echoed throughout the severe design. The farm life is made to look like a Biblical scene. Gallery label, September 2004