Dimensions: unconfirmed: 390 x 305 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Keith Arnatt’s photograph, "Walking the Dog," it's such a simple, everyday scene. But something about it feels so staged, doesn't it? Editor: Yes, but isn't that the point? It strikes me as a commentary on suburban life and its prescribed roles, all viewed through a post-structuralist lens. Curator: Absolutely, it feels very performative. The woman, the dog, the garden fence, the curler in her hair... it's all so deliberately mundane that it becomes absurd. Editor: And the lack of a clear date is telling. It could be from any era, highlighting the cyclical nature of societal expectations and gender roles. Curator: I see it as a tender portrait, the woman's steady gaze... the dog's patient pose... it feels like they're just existing together in the world. Editor: It's a photograph that manages to be both critical and compassionate, I think. Curator: Exactly, a brief glance that ends up saying quite a lot. Editor: It makes you consider the politics embedded in the everyday.
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Walking the Dog is a large series of black and white photographs of individuals standing outside with their dogs. While the locations depicted in the photographs vary from street pavements and country lanes to parks and gardens, all the images in this series share consistent formal characteristics: in each case the single owner stands full-length in the centre of the image facing the camera with the dog at their feet, and no other human or animal can be seen within the tightly framed square shot.