Verheffing van de prins van Oranje tot stadhouder door de Staten van Utrecht by Nicolaas van Swinderen

Verheffing van de prins van Oranje tot stadhouder door de Staten van Utrecht 1747

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metal, sculpture

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portrait

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baroque

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metal

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sculpture

Dimensions height 4.0 cm, diameter 3.8 cm, weight 24.9 gr

Curator: Here we have a rather dashing fellow captured on this baroque metal sculpture from 1747 by Nicolaas van Swinderen, its title proclaims that this commemorates the "Elevation of the Prince of Orange to Stadtholder by the States of Utrecht." Editor: Oh, what a charming bauble! There's a lightness to it, isn't there? Something almost celebratory in the details. It feels less like a formal pronouncement and more like… a wink from history. Curator: Indeed. Focusing on the interplay between form and function, note how the circular shape echoes notions of completeness and eternal recurrence, fitting for such a landmark event. The choice of metal provides a durable, lasting medium appropriate for the historical significance being depicted. Editor: The baroque style really sings here, all that rich detail crammed into such a small space! That flowing wig is a baroque triumph itself, a little cascade frozen in metal. I wonder what Prince Friso would make of being immortalized as an oversized, wearable coin. Curator: I suspect he would appreciate the semiotic weight embedded here. The circular inscription literally frames his identity. Observe the clean profile, a study in controlled power and elegant authority; and further decoded through his confident, upward gaze toward progress and legacy. Editor: You know, I bet carrying it would have been kind of a power move too. Imagine subtly flashing this at court—who needs a business card when you've got your own personal "promotion-commemorating" pendant? Curator: Quite right, or think about the physical engagement, perhaps this object invites its handler into a direct lineage with power… or the possibility that by handling this very image, they become entwined with the mythology. Editor: So, what starts as a shiny symbol transforms, and transcends? Beautiful. It reminds me that art doesn't just reflect the world; it also has a sense of humor, just slightly mocking everything grand. A small metallic rebellion against the seriousness of history. Curator: Well said! We've gone from mere form to a tangible encounter with legacy—where this sculpture whispers its subtle lessons and timeless charm to everyone.

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