Marskramer in bontmantel toont zijn waar by Jean-Pierre Norblin de la Gourdaine

Marskramer in bontmantel toont zijn waar 1781

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pencil drawn

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photo of handprinted image

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light pencil work

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shading to add clarity

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pencil sketch

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light coloured

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old engraving style

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hand drawn type

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ink colored

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pencil work

Dimensions height 29 mm, width 19 mm

Editor: This is "Marskramer in bontmantel toont zijn waar" from 1781, by Jean-Pierre Norblin de la Gourdaine. It looks like an ink drawing or etching. I find it quite whimsical, and a little absurd. How do you interpret this work? Curator: I see a layering of symbols indicative of a culture in transition. Notice the fur-lined coat; what does it convey to you? Is it warmth, status, something else entirely? Editor: Status, I think. Maybe aspiration? Fur was probably expensive. Curator: Precisely! Now, look at the merchant's open hand and the way he displays his wares. What's communicated through his gesture? Is he selling goods, or something more abstract, like an idea? Consider what commercial exchange represented in 1781. Editor: Hmmm... Maybe it's about the spread of ideas as much as goods? The Enlightenment was in full swing then. So, is his offering both wares *and* philosophies? Curator: An interesting proposition. Think of the "marskramer," the traveling merchant, not just as a seller of trinkets, but as a purveyor of news, fashions, attitudes... What symbols do we carry today that might be analogous to the fur coat and the traveling salesman in their time? Editor: The fur coat as an early form of branding? And the salesman a kind of social media influencer? Wow. It shows how much things change, but some things also stay the same. Thanks. Curator: A very insightful reading. Thank you! Looking closely helps reveal cultural memory.

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