Overtocht van Filips, erfprins van Spanje naar Engeland 1554

Editor: Here we have a bronze relief from 1554, titled *Overtocht van Filips, erfprins van Spanje naar Engeland*, it's maker unfortunately unknown, currently housed at the Rijksmuseum. It’s fascinating that this historical event, Philip's voyage to England, is immortalized on something as intimate as a coin. What significance do you think this imagery holds, considering the socio-political climate of the time? Curator: That’s an excellent point. Think about the function of commemorative objects in the 16th century. This coin isn't just a monetary object; it’s propaganda. The "Overtocht van Filips" or "The Crossing of Philip" represents a carefully constructed image of power and legitimacy. Philip's marriage to Mary Tudor was hugely significant and, of course, highly contested, altering the religious and political landscapes of both Spain and England. Editor: So, the image of Philip sailing to England served to legitimize his claim to power alongside Mary? Curator: Precisely. Consider the intended audience: who would have seen and circulated this coin? What message about stability and alliance was the monarchy trying to convey? And who was this message intended for? These items visually participated in producing public opinion. Editor: That makes so much sense. It's easy to forget how meticulously images were controlled and circulated in that era. And the very choice to depict it on currency highlights how essential the marriage was for projecting a particular kind of power to everyone. Curator: Exactly. It also prompts us to question what is *not* shown. Whose perspectives are missing from this celebratory narrative? What were some common views about it and how might that affect the legacy of objects? Editor: Wow, this little coin actually reveals so much more than just the literal voyage. It is definitely propaganda for its time. Thanks for helping me look at it in a new way! Curator: Absolutely. Analyzing such objects gives us a fascinating glimpse into the public role of art.