Assumption of the Virgin c. 16th century

Curator: Here, we have Francesco Bruni's "Assumption of the Virgin," housed here at the Harvard Art Museums. Editor: It’s striking how the dense cloud of swirling figures contrasts with the radiant light. The etching technique emphasizes the texture. Curator: The assumption narrative has long served as a potent representation of female empowerment, divine grace, and the transcendence of earthly constraints. Editor: I'm curious about the etching process itself. What kind of tools and materials would Bruni have used to create this image, and how did those choices affect the final result? Curator: I think it's vital to recognize how the image also reflects the Church's own power dynamics. Editor: Absolutely, and understanding the printmaking trade at the time also enriches our understanding of its production. Curator: Looking at it now, the Virgin's raised arms still invoke a sense of hope amid ongoing struggles for social justice. Editor: Indeed, and those material realities truly impacted the creation of this piece.