A Sedilia in Upwell Church, Norfolk 1818

John Sell Cotman's drawing, "A Sedilia in Upwell Church, Norfolk," captures a quiet architectural moment with graphite on paper. The drawing is dominated by the sedilia, an elaborate stone seat within the church. Cotman meticulously renders the geometric precision and textured surfaces. The linear perspective draws our eye into the alcove, where the gothic tracery above the seat contrasts with the sturdy stone blocks below. Cotman’s skill with light and shadow creates a sense of depth, emphasizing the solid, material presence of the architecture. The sedilia, traditionally a place of rest for the clergy, is here transformed into a study of form and light. Notice how the lines define the structure, creating a visual language that speaks of order and permanence. Yet, the subtle gradations of tone and shadow soften the rigidity, suggesting the passage of time and the weight of history. The drawing invites us to contemplate the relationship between line, form, and the enduring quality of architectural space.