Der Engel aus der _Verkündigung an die Hirten_ c. 1856 - 1857

Victor Müller sketched this angel for his “Annunciation to the Shepherds.” She appears in a classical guise, draped in flowing robes, a visual language derived from ancient sculptures of deities. This figure embodies the motif of the "nymph," a symbol that has traversed epochs. Recall Botticelli's Venus, born from the sea, or the myriad depictions of nymphs in classical art. Each repetition infuses the archetype with new meaning. Consider the gesture of the angel’s outstretched arm, a beacon in the composition. This harks back to ancient orators and is repeated in countless scenes of revelation. It signals divine communication, a link between realms. The power of such gestures lies in their ability to stir deep-seated emotions. They tap into collective memories, evoking awe and inspiration. These symbols do not fade; they resurface, evolving and adapting, in an endless cycle. The angel from Müller's vision is just one echo in this timeless chorus.