The Actors Segawa Kikunojo III as the ghost of Yatsuhashi, Sawamura Sojuro III as Soga no Juro, and Ichikawa Danjuro V as the ghost of Seigen, in the play "Sono Omokage Matsu ni Sakura," performed at the Nakamura Theater in the first month, 1783 by Torii Kiyonaga

The Actors Segawa Kikunojo III as the ghost of Yatsuhashi, Sawamura Sojuro III as Soga no Juro, and Ichikawa Danjuro V as the ghost of Seigen, in the play "Sono Omokage Matsu ni Sakura," performed at the Nakamura Theater in the first month, 1783 1783

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print, paper, ink, woodcut

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portrait

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ink drawing

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narrative-art

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print

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asian-art

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ukiyo-e

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figuration

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paper

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ink

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woodcut

Dimensions: 37.3 × 25.8 cm (14 11/16 × 10 3/16 in.)

Copyright: Public Domain

Curator: I’m struck by how ghostly it feels. Look at the pale paper, the wavering lines of the woodcut, the intense gazes… Editor: You’ve nailed it. The Art Institute of Chicago holds this print by Torii Kiyonaga titled "The Actors Segawa Kikunojo III as the ghost of Yatsuhashi, Sawamura Sojuro III as Soga no Juro, and Ichikawa Danjuro V as the ghost of Seigen, in the play 'Sono Omokage Matsu ni Sakura,' performed at the Nakamura Theater in the first month, 1783." It captures a scene from a Kabuki play, immortalizing the actors and their spectral roles. Curator: It's all stark blacks and whites. Everyone's wearing this exaggerated make-up— it's mesmerizing. I love the layering; some figures float behind others, creating a sense of depth without losing the flatness so characteristic of ukiyo-e. It's like a world seen through a thin veil, don't you think? Editor: Ukiyo-e, meaning "pictures of the floating world," perfectly describes that feeling. These prints weren't about realism, but about capturing fleeting moments of beauty and theatricality, tailored to appeal to Edo-period urban audiences. Notice how the exaggerated expressions and poses amplified the drama, playing into the emotions the actors tried to convey. Kabuki was very regulated so visual elements grew to have significance. Curator: Definitely! The stylized gestures—the way they hold their robes, the almost bird-like tilt of the heads… they’re conveying so much with minimal detail. Editor: The ghostly figures connect to deeper social anxieties as well. Plays often involved moral lessons, perhaps about social order or proper behavior. Prints such as this reinforced these concepts by broadcasting the stories further. Curator: This is more than just frozen stage acting—it's something much more enigmatic and magical. All the visual information we receive and that is carefully extracted from daily experience goes through the sieve of memory that informs our imagination! Editor: You’re absolutely right. Thinking about it now, these images allowed ordinary people access to both the glittering world of celebrity and reminders about shared culture and the existing social structure, all rendered through the graphic power of the woodblock print. Curator: So beautiful. It gives one pause. Editor: Exactly. An actor could only dream to be cast in one of these prints!

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