Aansporing tot eenheid in West-Friesland by Jacob (1611-1648) Uyttenwael

Aansporing tot eenheid in West-Friesland 1617

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silver, print, relief

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medieval

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silver

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dutch-golden-age

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print

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relief

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ceramic

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decorative art

Dimensions diameter 5.2 cm, weight 29.71 gr

Curator: Hmm, looks like a double-sided coin, doesn't it? Stark and shiny... I'm already sensing some sort of stoic historical drama here. Editor: Indeed! What we have here is a silver print, "Aansporing tot eenheid in West-Friesland," created by Jacob Uyttenwael in 1617. It falls under the umbrella of Dutch Golden Age art. The phrase itself translates to "Incentive for Unity in West Friesland". Curator: Unity, huh? Makes me think of gatherings, shared meals… but there's a chilly, almost martial feel here. The metal gives everything a determined edge. Editor: The material certainly contributes. Each side presents complex scenes; one side features a vista of a town on the water, the other appears to show figures pulling what looks like a… covered wagon of some kind? Almost processional. Curator: Absolutely, and those little figures are serious! It's not just folks going for a stroll; there is purpose, maybe struggle... It is evocative of a heavy moment in time—an invitation or plea, sealed in silver. Do you think this has anything to do with religious persecution at this time? Editor: It's plausible to consider the influence of prevailing religious tensions, although its primary thrust seems aimed at regional cohesion during the early years of the Dutch Republic. Note the careful arrangement of pictorial elements and the didactic inscriptions; unity is being promoted through meticulously designed symbolism, typical of formal art. Curator: Symbolism... yes, those are potent little stories. Each person could read the message their own way and feel a touch of resolve. I picture the first owner running their thumb over the surface—taking energy. A pretty weighty message contained in something so compact and neat. I like this silver scroll… the perfect combination of aesthetic elegance with a call to arms. Editor: Agreed. Ultimately, Uyttenwael has created an object rich in cultural and aesthetic significance—a potent reminder of the ever-present human aspiration for accord.

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