Kom met maskers c. 1870 - 1894

Gustave Joseph Chéret made this sketch titled “Kom met maskers” with graphite on paper. Chéret was a lithographer and poster designer in France during the late 19th century. This drawing presents an unfinished design for a stage set, and although it’s difficult to determine the meaning behind a design that never came to fruition, we can consider the cultural context from which it emerged. During this time in France, theater was a popular form of entertainment, particularly among the upper classes. Stage sets were often elaborate and extravagant, reflecting the wealth and status of the patrons who commissioned them. This drawing seems to reflect an interest in classical art, perhaps as a way to create an air of sophistication and refinement. Historians can use resources like theater programs, reviews, and set designs to better understand theater culture during this period. By understanding the social and cultural context in which it was created, we can better appreciate the role of this artwork and its potential impact on society.