Portret van Johann Friedrich Mayer 1670 - 1713

Curator: Here we have a piece from the Rijksmuseum’s collection, a portrait engraving of Johann Friedrich Mayer by Pieter Schenk. It dates from between 1670 and 1713. What strikes you initially about this work? Editor: That enormous collar! It’s like a pleated halo. And the seriousness—he seems both weighty and fragile somehow, peering out from this baroque swirl. Curator: Right, the materiality is fascinating. The process of engraving involves meticulously incising lines into a metal plate. The paper acts as both support and receiver of the image; crucial for mass reproduction and circulation. Editor: I can almost feel the texture, though—that’s interesting for something so reproduced. Look at the lines forming his wig; it's incredibly ornate. Does it strike you that even with the engraving style creating almost an "industrial feel," it really lends a tactile element, creating a kind of opulent feel, perhaps even ironically given its inherent ability to mass-produce an image. Curator: I see what you mean. It showcases status through reproduction itself. Schenk also operated a print workshop; therefore, one could even perceive him as somewhat like an early factory owner in that sense. These details reveal connections to global trade routes through the printing of books and prints. This would facilitate a transfer of ideas alongside goods. Editor: You’re right! It’s that intersection—a craft turned industrial engine that gives it a totally unique and modern feel. To think it’s more about this movement rather than strictly an aesthetic choice that informs this print. Now it looks less about Mayer's ruffled collar, more of the economic drivers behind the way he’s being portrayed. What began as mere representation takes on deeper historical implications of economy and power—so many ideas interwoven in these engraved lines. Curator: Agreed. Reflecting on our observations here, it gives rise to even further thought on our material culture through time. Editor: A lovely way to approach this drawing... I have such changed views in a short time and am seeing through different "eyes" than just now!