Antike Aschenurne, darauf stehend antiker Frauenkopf, darunter Brustbild einer Frau im Kostüm des 17. Jahrhunderts 

Wenceslaus Hollar rendered this drawing, "Antique Ash Urn with an Antique Woman's Head," in the 17th century. At the top, we see a classical head atop an urn, adorned with figures reminiscent of ancient friezes. Below, Hollar depicts a contemporary woman in the costume of his time. The urn, a vessel for mortal remains, is crowned by a woman's head – a symbol laden with historical weight. This motif appears across epochs; consider the Roman tradition of portrait busts placed on tombs, evolving from ancestral effigies to symbols of personal virtue and lineage. The echo of ancient rites is further complicated by the portrait below. The woman of the 17th century, rendered in a starkly different style, evokes the transience of mortal identity, the cyclical nature of memory, and the passage of time. This juxtaposition creates a powerful tension, a dance between past and present. It reminds us that symbols are never static, and they constantly evolve.