X-radiograph(s) of "Madonna and Child (of the Pomegranate)" 

Editor: This is an X-radiograph of "Madonna and Child (of the Pomegranate)" after Giovanni Bellini, revealing the under layers. It's fascinating to see the process, but so different from a finished painting! What can we learn about the making of this work from this image? Curator: We see the support, likely canvas, secured with tacks. The different densities suggest varying application of materials, perhaps lead white. Consider the labour involved in preparing these materials, grinding pigments, stretching canvas. Where were these materials sourced? How does the materiality connect to the final image's meaning? Editor: It’s amazing to think about all those steps, all the hands that touched this, before the "art" even began! Curator: Exactly. Examining the material conditions demystifies the artwork, and roots it firmly within a social and economic context. What do you think? Editor: I think I’ll never look at a painting the same way again. It's all about the layers, literally and figuratively!