"The Death of the Devil" from The Complete Works of Béranger 1836

This print, "The Death of the Devil," was created by J. J. Grandville as part of "The Complete Works of Béranger." Its existence relies on the printmaking process of engraving, a technique that flourished in the 19th century alongside the rise of mass media. Consider how this reproductive method democratized art, making it accessible beyond elite circles. Grandville’s fine lines, etched meticulously into a metal plate, allow for intricate detail and tonal variation. The labor-intensive process highlights a tension: a single image demands considerable time and expertise, yet yields numerous identical copies. This blend of craft and mass production mirrors the complexities of a rapidly industrializing society. The image itself satirizes societal norms. The devil’s demise, juxtaposed with the cleric’s feast, uses humor to critique power structures. The choice of printmaking invites us to consider how art can be both a product of labor and a tool for social commentary, blurring boundaries between high art and popular culture.