King of Holland, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes by Allen & Ginter

King of Holland, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes 1889

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drawing, print

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portrait

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drawing

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print

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caricature

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caricature

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figuration

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oil painting

Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Curator: Here we have a striking chromolithograph from 1889, part of Allen & Ginter's "World's Sovereigns" series, a collectible card portraying the King of Holland. Editor: My first impression is the elaborate detailing crammed onto this small rectangle – all the patterns and textures are vying for attention! Curator: Precisely. Even in its small scale, it conveys authority through visual symbolism. Note the Dutch heraldic lion with a crown in the top corner, emblem of power and heritage. Editor: But those heavy details feel very industrial – the kind of reproducible imagery geared towards mass consumption. It reminds me that Allen & Ginter used these cards as incentives, little bonuses to encourage brand loyalty through collecting. It's advertising dressed up as culture. Curator: It also operates on another level. While a collector might pursue an aesthetic project in its own right, at the same time this represents and reinforces existing social power relations. The King of Holland, rendered and consumed so easily. Editor: Exactly! The materials of production here, the inks, the paper stock...cheap and widely available but emblazoned with this iconography intended to instill this regal sense. A paradox, really. Curator: Interesting point. It reveals how meaning shifts depending on context. For Allen & Ginter, these cards provided consumer value while alluding to stability through a readily graspable pantheon of power figures. For us now, it’s more of a study in transience, both of power, perhaps, and in consumer desires. Editor: And that the materials of commercial production also possess symbolic power of their own. A lithograph can represent an image far more persuasively than other forms of media; mass-produced and dispersed, it generates value both economic and semiotic. Curator: Well, I've learned to consider a new perspective on the power of everyday objects, and how images reflect the larger social currents. Editor: Indeed! Even in these little tobacco cards, there’s a rich layering of art, industry, and representation that offers so much for interpretation.

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