Silver Creamer by Simon Weiss

Silver Creamer c. 1936

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drawing, pencil

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drawing

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geometric

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pencil

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decorative-art

Dimensions: overall: 30.6 x 23 cm (12 1/16 x 9 1/16 in.) Original IAD Object: 2 3/4" wide; 5 1/2" high

Copyright: National Gallery of Art: CC0 1.0

Curator: Isn't it amazing how a simple object can hold so much beauty? This is "Silver Creamer" by Simon Weiss, crafted around 1936. It’s a pencil drawing, almost photographic in its detail. What are your initial thoughts? Editor: I'm struck by its elegance, but also a strange austerity. The meticulous detail feels almost like a blueprint. It makes me think about the social rituals and class structures intertwined with decorative art in the 30s. Was this designed for the few? Curator: Perhaps, but I see the potential in everyday life being elevated, wouldn’t you agree? I mean, imagine milk glinting from such a vessel. The floral engravings and the curvaceous handle... It’s almost like a poem etched in metal. The drawing allows you to examine its aesthetic, absent the practical, allowing appreciation in a unique sense. Editor: It’s true. It does possess a latent sensuality. It's not just functional; it's trying to convey values related to refinement. Think about the labor behind creating these kinds of pieces, of the communities marginalized so elite gatherings could sip cream in style. The American dream leaves many people out in the cold. I guess you can say it is kind of decorative art. Curator: It's a reflection of that time, yes, but I see beauty too in striving to do and see beautiful things; I can let both coexist. Even just to pause and really see an object... like this drawing allows us. Did they think the work it would last this long and evoke the very debate we are having now? And isn't that incredible in its own right? It evokes emotion to this day, you can’t deny it! Editor: Absolutely. The detail of Weiss’ rendering, especially the floral ornamentation, reminds us that luxury is usually built on resources and relationships of unequal powers, a constant tension of our capitalistic lives to grapple with, Curator: Food for thought. A perfect object for contemplation, and a challenge. Well, thanks for giving us both sides to the discussion on such an emotive piece. Editor: Indeed. Let’s see what dialogues future design elicits!

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