Oude en jonge boer by Jan van der Bruggen

Oude en jonge boer 1659 - 1740

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drawing, charcoal

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portrait

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pencil drawn

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drawing

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dutch-golden-age

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pencil sketch

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charcoal drawing

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pencil drawing

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portrait drawing

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genre-painting

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charcoal

Dimensions: height 150 mm, width 128 mm

Copyright: Rijks Museum: Open Domain

Curator: This compelling image is called "Oude en jonge boer," which translates to "Old and Young Peasants," a charcoal drawing likely made between 1659 and 1740, and attributed to Jan van der Bruggen. The technique and style definitely resonate with the Dutch Golden Age. What's your first take on it? Editor: It's intensely captivating, although it initially strikes me as grotesque. The toothy grin of the figure on the right, juxtaposed with the other’s focus on the jug... it suggests a potent story. What I am wondering is about the role of social commentary or perhaps even caricature, during this period? Curator: Absolutely, caricature would have played a role. The Dutch Golden Age was, of course, a period of tremendous social and economic transformation. The visual arts were used to project civic virtues, like domesticity or wealth through merchant portraiture. This work, though, strikes me as different—as if the artist intends for the peasants' ugliness to be somewhat jarring to viewers, even comical. We're looking into a mirror, albeit a distorted one. What do you think that image represents, psychologically speaking? Editor: Well, considering its creation during the Dutch Golden Age, perhaps there’s an underlying unease, even as there was prosperity. Maybe it's about deeper social stratification and anxieties that such division could inspire, as projected onto these figures. The jug is so central, it represents something—pleasures, perhaps, to dull class disparity? Curator: Intriguing... Alcohol is, after all, liquid memory; a social balm, if you will. And if they are drinking together, what narratives might have accompanied it, if it were depicted on a larger canvas? We could be witnessing an exchange across generational or societal divides—the young seeking counsel, perhaps. The feather on the cap is particularly telling; this figure might have come into money recently, inviting all kinds of moral ambivalence and social commentary at the time, of course. Editor: You’re right, the inclusion of such an element brings such an abundance of context to mind. Thinking about the enduring image of the peasant over time... what resonates most is how material realities meet the construction of character. The older figure and the young... Curator: Precisely. Van der Bruggen's work acts almost like a cultural snapshot. And to analyze those symbols… to analyze them over the centuries gives a glimpse into values and how perceptions about groups like peasantry can really shift. Editor: An intense mirror that really manages to challenge notions of beauty and ugliness across the long, long durée. Thank you for helping me see this piece in a fresh new light.

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