Fragment van een Historiebijbel: twee scènes uit het leven van Samson by Anonymous

Fragment van een Historiebijbel: twee scènes uit het leven van Samson c. 1470 - 1475

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tempera, painting

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medieval

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narrative-art

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tempera

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painting

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figuration

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oil painting

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international-gothic

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mixed media

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miniature

Dimensions: height 448 mm, width 323 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have, dating back to around 1470-1475, a fragment of a History Bible, rendered in tempera, illustrating two scenes from the life of Samson. The piece is unsigned, an intriguing mystery adding to its allure. Editor: The way these two distinct moments of Samson's story are placed side-by-side gives it such a dreamlike quality. Like snippets of a myth lingering in the mind. How would you interpret this work in terms of its narrative structure? Curator: Precisely. The diptych style layout immediately transports me. Medieval art often had a purpose that goes beyond pure aesthetics. Narrative clarity was key. The depiction of Samson, who embodies superhuman strength as well as human flaws, would resonate with a 15th-century audience, wouldn't it? Editor: Definitely. Though the stories are very close in style they seem separated. There's such visual detail in each frame, from the delicate foliage in the borders to the expressions on the tiny figures. Do you think that makes the piece especially precious? Curator: Absolutely, I'm also struck by the symbolism of Samson, right? A flawed hero grappling with fate and faith, much like ourselves! It invites reflection of our own capabilities to rise or fall under immense pressure. Can you relate, as we approach our exams? Editor: (Laughing) Okay, fair point! I guess the beauty of the artwork itself – its textures and details–is also about finding strength and resolve in life’s messy situations. A little nugget of artful wisdom, eh? Curator: Precisely! The work's impact lingers long after we turn away from it. Editor: True. I'll never look at a historical narrative art the same way again!

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