The Nieuwe Haarlemse Sluis at the Singel, known as ‘Souvenir d’Amsterdam’ 1871
painting, plein-air, oil-paint
painting
impressionism
plein-air
oil-paint
landscape
charcoal drawing
oil painting
cityscape
genre-painting
charcoal
realism
Dimensions: height 46.5 cm, width 35 cm
Copyright: Rijks Museum: Open Domain
Matthijs Maris painted ‘The Nieuwe Haarlemse Sluis at the Singel, known as ‘Souvenir d’Amsterdam’ using oil on canvas. Living through a period of significant social and political change in the Netherlands, Maris was part of a generation grappling with industrialization and its impact on urban life. In this painting, the viewer is confronted with a muted palette, reflecting the somber mood of a city undergoing transformation. Figures are blurred, almost ghostlike, suggesting the loss of individuality amidst the rise of the collective. The bridge, a central structure, symbolizes connection but also division, a space of transit that highlights the transient nature of urban existence. Maris uses light to create a sense of atmosphere that evokes an emotional response to this modernizing world. 'Souvenir d'Amsterdam’ is not just a depiction of a city; it's a reflection on the emotional and psychological effects of modernity, inviting us to consider the human cost of progress.
Comments
When Jacob returned to the Netherlands, Matthijs had to support himself in Paris. His financial worries explain why he reused an already painted canvas for this work. Beneath this city view is a landscape with a ferry; probably an oil sketch Jacob had left behind. Parts of this underlying composition are still visible. The bright green brushstrokes in the brown foreground at the right are from the overgrown bank underneath.
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