Cameo Brooch by Michael Fenga

Cameo Brooch c. 1936

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drawing, watercolor

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portrait

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drawing

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water colours

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oil painting

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watercolor

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geometric

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decorative-art

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watercolor

Dimensions overall: 28.9 x 22 cm (11 3/8 x 8 11/16 in.)

Curator: Here we have a delicate rendering titled "Cameo Brooch," created around 1936. The artist is Michael Fenga, and the medium appears to be watercolor. Editor: It's unassuming at first glance. The colors are so gentle, almost faded, giving it a ghostly presence on the page. Is it meant to look like it's floating? The meticulousness of the rendering is beautiful but gives a peculiar sense of isolation, almost as if we’re examining a relic. Curator: That's a perceptive reading. Brooches, like this one, carried layers of symbolic meaning during the time they were worn. The choice of materials, the motifs…they all spoke volumes about the wearer’s status, beliefs, and affiliations. Think of it as wearable storytelling. Editor: Wearable storytelling, I love that! I can’t help but get a kind of fairytale vibe from it. The central cameo depicts two figures, one on horseback. Are we to assume that the pair on the horse is Saint George and his Princess? What sort of meanings would they try to instill into the object? Curator: That would certainly align with popular symbology from the period. Saint George is the quintessential emblem of chivalry, and protector, an icon still laden with those associations today. The craftsman chose colors that reinforce that association by using colors associated with purity, honor, sacrifice, etc. Brooches would traditionally adorn an outfit so as to reinforce what message their outfit has at a gathering. Editor: It’s incredible how much emotion can be conjured through these tiny gestures, the placement of objects, their colors. It creates such a depth that exists outside of the immediate image. Now that you've put that story to the visual... I'm looking again with newfound awe. Curator: Indeed, Fenga’s "Cameo Brooch" offers more than just a beautiful image, it is also a bridge that leads us towards understanding our collective human condition across different eras and societal changes. Editor: So true. The more time you take with it, the more that delicate wash of paint becomes a gateway into all these fascinating stories, both visible and invisible.

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