Composition by Cesar Domela

Composition 1955

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acrylic-paint

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abstract-expressionism

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pop art

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acrylic-paint

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form

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geometric-abstraction

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line

Copyright: Cesar Domela,Fair Use

Curator: Cesar Domela produced this work, titled "Composition," in 1955, employing acrylic paint in its creation. Editor: It’s incredibly airy. The colors are muted, almost pastel in effect, yet there’s this kinetic energy created by the intersecting lines and shapes, a sense of constant motion implied here. Curator: Domela, initially associated with De Stijl, increasingly engaged with abstraction during this period, and this work epitomizes that. There’s a deliberate construction, a formal arrangement. Editor: Absolutely, the arrangement evokes some kind of machine blueprint. I keep noticing the way certain colors and forms mirror each other; a balance that’s pleasing despite the lack of any traditionally recognizable subject matter. Do you think Domela meant it to represent industrial development? Curator: It is hard to tell the intentions, but during this time, many artists believed pure geometric form offered a universal visual language. Its roots in early Modernism is undeniable but so is the shadow of the new age dawning, from postwar recovery, nuclear fears and a retooling of industries. I feel this painting can belong to it all. Editor: I get a similar feeling. I can trace these formal symbols to a deeply held cultural longing for progress, and also uncertainty about technology, after a time of total destruction, its potential of it. But it’s done in such a playful manner that this makes me more curious. Curator: Agreed, despite the abstraction, this painting still engages us and raises a debate around social ideas and symbolism through non-figurative motifs. Editor: Indeed, what initially seems like a light composition reveals itself to be a potent carrier of symbolic weight when we consider the context. I am certain its visual message transcends that historical context still. Curator: A fitting reminder that pure form, even when devoid of direct representation, can carry just as much historical significance. Editor: I find it delightful how a few carefully placed lines can stir such deep reflections. It proves once again how important the human perception is.

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