Twee studies van een zittende vrouw 1846

Here are two studies of a seated woman by Pieter van Loon, created with pen in grey on paper. The composition divides neatly into two distinct panels, each presenting a similar yet unique perspective of the same subject. Van Loon employs delicate, linear strokes to define the figure. Note the recurring vertical lines of her skirt, juxtaposed with the softer, curved lines that shape her upper body and the subtle folds of her clothing. This contrast creates a visual rhythm, drawing the eye across the artwork. Van Loon’s study doesn’t aim to capture a likeness, but rather explores the interplay of form, light, and shadow. The semiotic system here leans into an understanding of space and volume through minimal means. The stark use of line against the paper challenges our perception, inviting us to consider how much can be conveyed with so little. The beauty of this work resides in its simplicity, a testament to the power of the artist's hand.