Fotoreproductie van tien schilderijen by Johannes Jaeger

Fotoreproductie van tien schilderijen c. 1872 - 1882

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mixed-media, print, photography

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mixed-media

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print

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photography

Dimensions height 179 mm, width 109 mm

Curator: My goodness, this open book whispers secrets of artistry across time! It is called "Fotoreproductie van tien schilderijen" by Johannes Jaeger, dating from somewhere around 1872 to 1882. It uses photography mixed with print methods, which is quite an experimental combination for its time. What is your immediate take on this array of images? Editor: An echo of history—almost a ghostly photo album! There is something inherently democratic, even radical, in reproducing and disseminating paintings this way, at this time. Photography offering a parallel view to artistic hegemony... Curator: Exactly! Each tiny picture offers its narrative. Look at this scene, figures gathered in what seems like conversation, maybe a debate! Each interaction probably alludes to deep-seated social structures... Editor: Definitely. The scenes reek of patriarchy and social expectation. And consider that this ‘Fotoreproductie’ allowed these images—the stories, the values they carried—to circulate more freely, influencing the masses and consolidating the roles. Photography has such power. Curator: I adore how Jaeger blended media; photography offering realism that clashes gently with print. It tickles the edges of art, playing with imitation and dissemination, raising profound questions. Who owns an image? What becomes lost or gained in copying it? What are the possibilities created? Editor: Such a vital dialogue back then and even now. The commodification of art then prefigures its digital reincarnation. And each tiny photograph embodies the sociopolitical context, inviting viewers into these complex historical spaces, even now, for critique. Curator: You have made me reconsider, looking at this work. Perhaps the mundanities it replicates, that you've rightfully placed, is actually what helps transform mundane acts to iconic representations of daily human activities, just by capturing it in the frame! Editor: Perhaps Jaeger unintentionally gave rise to avenues to see how image-making has structured power itself. Fascinating and very provocative still, no?

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