The Creation of Eve c. 1865 - 1899

Curator: Watts's "The Creation of Eve" presents a unique take on the Genesis narrative. I am immediately struck by the swirling figures and ethereal quality of the composition. Editor: The figures certainly draw the eye upward, but the positioning of Adam feels particularly noteworthy, almost burdened. His posture contrasts sharply with the figures above him. Curator: Watts was deeply engaged with social reform. I think Adam's weary posture reflects the weight of patriarchal structures that are beginning to manifest. Eve emerging almost seems an attempt to break those bonds. Editor: Perhaps, but it also feels like a perpetuation, another female figure emerging as if from thin air. I'm curious about the symbolism of this specific creation, in terms of the Victorian male gaze. Curator: It’s difficult to separate the artwork from the Victorian context, which is why looking at it today is such a productive moment for contemporary discourse. Editor: Indeed. It gives us a window into understanding how those foundational narratives are still being understood and perpetuated.