Portret van paus Adrianus VI 1628 - 1670

Editor: Here we have Pieter de Jode the Younger’s "Portret van paus Adrianus VI," an engraving that likely dates somewhere between 1628 and 1670. It's striking how formal and even severe it feels, especially considering the incredible detail in the robes and the architectural frame. How do you read this portrait? Curator: For me, it whispers of hidden power. Notice how Jode captures Adrianus's gaze, averted but sharp. It’s like he’s already anticipating the dramas that unfolded during his short but turbulent papacy. You know, his attempts at Church reform and the clash with the Renaissance papacy are truly fascinating to examine. Editor: Turbulent is right! Do you think the artist aimed for a realistic representation, or was he more interested in conveying the power and status of the Pope? Curator: Ah, that's the million-dollar question, isn’t it? I suspect it's a bit of both. There's a meticulousness in the details, like the coat of arms, the tiara, suggesting accuracy, and the elaborate clothing; but there's also a hint of caricature. Perhaps Jode wanted to hint at the complex nature of power itself—its pomp and its pitfalls. What do you make of that frame? It almost swallows the Pope himself. Editor: That's a great point; the frame seems deliberately overpowering. I guess I hadn't fully appreciated the levels of visual storytelling at play here, which I can definitely see now that you point it out! Thank you. Curator: My pleasure! It’s about seeing beyond the surface. Looking closely at this allows us a glimpse of both the man and the myth of the papacy.