Reliëf Priamus voor Achilles in de Tomba degli Anicii, Via Latina, Rome 1890 - 1925

James Anderson’s photograph captures a relief of Priam before Achilles, taken in the Tomba degli Anicii on the Via Latina in Rome. The image, likely made with a calotype or similar process, transforms the textured stone into a study of light and shadow, emphasizing the sculptural depth. Look at the way Anderson captures the folds of the figures' garments. He skillfully uses light to define their forms, almost caressing the stone with light. The figures exist in a shallow, frieze-like space, and the texture here is so crucial. Every imperfection in the stone tells a story of time and process. There's a raw, material quality that connects us to the physical act of carving. It reminds me a little of some history paintings by Benjamin West, who managed to bring something similar out of oil paint! Ultimately, this image celebrates both the artistry of the original sculptors and Anderson’s own vision as a photographer. Art is a never ending conversation, isn't it?