Dimensions: support: 254 x 202 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Keith Arnatt's photograph, "Miss Grace’s Lane," immediately strikes me as discordant. The clash of vibrant refuse against a muted landscape is unsettling. Editor: And yet, there is a compelling tension. The composition leads my eye from the discarded bags to the textures of the natural overgrowth, the debris and the trees. It’s a stark commentary on consumer waste. Curator: Precisely. Arnatt’s work frequently engages with the overlooked aspects of our environment, highlighting the social implications of waste production and how it impacts the land and, ultimately, our lives. Editor: The saturated colors of the garbage bags almost mimic a perverse still life, drawing focus to our casual disregard for the beauty around us. There is an interesting contrast between the manufactured and the natural. Curator: Indeed. Arnatt makes us confront the visual consequences of our throwaway culture. It is a call to awareness, pushing beyond aesthetics. Editor: A stark reminder of our footprint. It invites reflection beyond the visible.
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http://www.tate.org.uk/art/artworks/arnatt-miss-graces-lane-t13164
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In Miss Grace’s Lane, Keith Arnatt presents natural beauty and environmental degradation side by side. ‘I am very fond of paradox’, the artist notes. Using his camera to achieve a large depth of field, Arnatt gives equal importance to all elements, setting out to create ‘pictures which are not chaotic out of chaos’. One image shows rubbish strewn across the English landscape, bathed in soft, golden hour light. The series references Romanticism, the nineteenth-century art movement inspired by human psychology, personal expression and the natural world. Arnatt parodies the sublime landscapes of British painters like Samuel Palmer (1805–1881), combining the picturesque and the polluted. Gallery label, November 2024