Dimensions: support: 406 x 371 mm
Copyright: © Estate of Stanley Spencer | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Sir Stanley Spencer's 'Study for ‘Joachim among the Shepherds’'. The drawing feels so grounded and tactile, almost like you could reach out and touch the rough texture of the shepherd's clothes. What draws your eye in this piece? Curator: Notice how Spencer uses readily available materials—pencil, paper—to depict a biblical scene. He isn't aiming for illusionism. Instead, it's a study, a means to an end. Consider the labor involved, the hours spent rendering the folds of fabric and the dense foliage. Editor: So, the value lies in the process itself, not just the final image? Curator: Precisely. We see the artist working through ideas, wrestling with form and composition. The materiality and the making are central to understanding Spencer's artistic project. What do you make of the setting? Editor: It's a really interesting perspective. Thanks for helping me look at it differently. Curator: Indeed, considering materiality brings us closer to the artist's hand and mind.
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http://www.tate.org.uk/art/artworks/spencer-study-for-joachim-among-the-shepherds-t00048
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This drawing depicts Joachim (the figure on the right, appearing from behind a fence), the father of the Virgin Mary in Christian tradition. Spencer made it shortly after leaving the Slade School of Fine Art. He had recently seen a reproduction of a fresco of the same subject by Italian artist Giotto (c.1267–1337). Spencer – characteristically – reimagined the scene taking place on a favourite path in Cookham. Gallery label, October 2020