Le-Le- Cong Josshouse, Amoy 1869

This photograph of the Le-Le-Cong Josshouse in Amoy was created by John Thomson, a Scottish photographer, in the late 19th century. Thomson's image provides a glimpse into the religious and social landscape of China during a period of increasing Western influence. Josshouses, or temples, were central to community life, serving not only as places of worship but also as spaces for social gatherings and cultural events. In this photograph, we see how the Josshouse is integrated into the natural environment. Thomson's photographs offer valuable insights into the cultural and institutional dynamics of 19th-century China, inviting us to reflect on the complex interplay between tradition and modernity, East and West. Art historians often draw on a range of resources, including historical documents, travelogues, and ethnographic studies, to understand the broader social and cultural context in which Thomson's photographs were produced. By situating the artwork within its specific historical context, we can gain a deeper appreciation of its significance and meaning.